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The reason: Most of today's conversations on colors and persuasion consist of hunches, anecdotal evidence and advertisers blowing smoke about "colors and the mind."To alleviate this trend and give proper treatment to a truly fascinating element of human behavior, today we're going to cover a selection of the most reliable research on color theory and persuasion. Misconceptions around the Psychology of Color. Why does color psychology invoke so much conversation .. As research shows, it's likely because elements such as personal preference, experiences, upbringing, cultural differences, context, etc., often muddy the effect individual colors have on us. So the idea that colors such as yellow or purple are able to invoke some sort of hyper- specific emotion is about as accurate as your standard Tarot card reading. Related: How to Use the Psychology of Color to Increase Website Conversions. The conversation is only worsened by incredibly vapid visuals that sum up color psychology with awesome "facts" such as this one: Don't fret, though. Next up for my predictions, we have PSYA2. Again just to remind you, this is for AQA AS psychology students who are retaking their exams in May 2016 and not for new AS students who are studying from September 2015. Secondly. Literature, which intertwines within such fields as history, philosophy, sociology, psychology and so on, is a discipline wherein language is used as a medium of expression so as to interpret man, existence and culture. The. . but the truth of the matter is that color is too dependent on personal experiences to be universally translated to specific feelings. But there are broader messaging patterns to be found in color perceptions. For instance. Login to ABC CLIO databases. PUBLIC LIBRARY Barcode Login: Click here to log in using the barcode number on the back of your library card, if your public library is a subscriber. Psychology In Social Context Issues And Debates EbookersConflict in Ancient Greece and Rome: The Definitive Political, Social, and Military Encyclopedia. The complex role warfare played in ancient Greek and Roman civilizations is examined through coverage of key wars and battles. Reference Works. Twin research has had a successful yet controversial past, a trend that has continued through the present. Despite the wealth of information that has been derived from twin studies, various methodological and. Over 420 new references in this thoroughly updated fifth edition ‘Conceptual and historical issues in psychology’ highlight alternative perspectives and debates ‘Cutting edge’ introduces contemporary, exciting and. Now it's time to take a look at some research- backed insights on how color plays a role in persuasion. The Importance of Colors in Branding. First, let's address branding, which is one of the most important issues relating to color perception and the area where many articles on this subject run into problems. There have been numerous attempts to classify consumer responses to different individual colors: Image credit: The Logo Company.. But there are broader messaging patterns to be found in color perceptions. For instance, colors play a fairly substantial role in purchases and branding. In an appropriately titled study called Impact of Color in Marketing, researchers found that up to 9. And in regards to the role that color plays in branding, results from studies such as The Interactive Effects of Colors show that the relationship between brands and color hinges on the perceived appropriateness of the color being used for the particular brand (in other words, does the color "fit" what is being sold). The study Exciting Red and Competent Blue also confirms that purchasing intent is greatly affected by colors due to the impact they have on how a brand is perceived. This means that colors influence how consumers view the "personality" of the brand in question (after all, who would want to buy a Harley Davidson motorcycle if they didn't get the feeling that Harleys were rugged and cool?). Additional studies have revealed that our brains prefer recognizable brands, which makes color incredibly important when creating a brand identity. It has even been suggested in Color Research & Application that it is of paramount importance for new brands to specifically target logo colors that ensure differentiation from entrenched competitors (if the competition all uses blue, you'll stand out by using purple). Related: When It Comes to Branding, It's All About Color (Infographic)When it comes to picking the "right" color, research has found that predicting consumer reaction to color appropriateness in relation to the product is far more important than the individual color itself. So, if Harley owners buy the product in order to feel rugged, you could assume that the pink + glitter edition wouldn't sell all that well. Psychologist and Stanford professor Jennifer Aaker has conducted studies on this very topic via research on Dimensions of Brand Personality, and her studies have found five core dimensions that play a role in a brand's personality: (Brands can sometimes cross between two traits, but they are mostly dominated by one. High fashion clothing feels sophisticated, camping gear feels rugged.)Additional research has shown that there is a real connection between the use of colors and customers' perceptions of a brand's personality. Certain colors DO broadly align with specific traits (e. But nearly every academic study on colors and branding will tell you that it's far more important for your brand's colors to support the personality you want to portray instead of trying to align with stereotypical color associations. Consider the inaccuracy of making broad statements such as "green means calm." The context is missing; sometimes green is used to brand environmental issues such as Timberland's G. R. E. E. N standard, but other times it's meant to brand financial spaces such as Mint. And while brown may be useful for a rugged appeal (think Saddleback Leather), when positioned in another context brown can be used to create a warm, inviting feeling (Thanksgiving) or to stir your appetite (every chocolate commercial you've ever seen). Bottom line: I can't offer you an easy, clear- cut set of guidelines for choosing your brand's colors, but I can assure you that the context you're working within is an absolutely essential consideration. It's the feeling, mood, and image that your brand creates that play a role in persuasion. Be sure to recognize that colors only come into play when they can be used to match a brand's desired personality (i. Apple's love of clean, simple design). Without this context, choosing one color over another doesn't make much sense, and there is very little evidence to support that 'orange' will universally make people purchase a product more often than 'silver'. Color Preferences by Gender. Perceived appropriateness may explain why the most popular car colors are white, black, silver and gray .. One of the better studies on this topic is Joe Hallock's Colour Assignments. Hallock's data showcases some clear preferences in certain colors across gender. It's important to note that one's environment- -and especially cultural perceptions- -plays a strong role in dictating color appropriateness for gender, which in turn can influence individual choices. Consider, for instance, this coverage by Smithsonian magazine detailing how blue became the color for boys and pink was eventually deemed the color for girls (and how it used to be the reverse!). Here were Hallock's findings for the most and least favorite colors of men and women: The most notable points in these images is the supremacy of blue across both genders (it was the favorite color for both groups) and the disparity between groups on purple. Women list purple as a top- tier color, but no men list purple as a favorite color. Perhaps this is why we have no purple power tools, a product largely associated with men?)Additional research in studies on color perception and color preferences show that when it comes to shades, tints and hues men seem to prefer bold colors while women prefer softer colors. Also, men were more likely to select shades of colors as their favorites (colors with black added), whereas women were more receptive to tints of colors (colors with white added): Image credit: KISSmetrics. The above infographic from KISSmetrics showcases the disparity in men and women's color preferences. Keep this information in mind when choosing your brand's primary color palette. Given the starkly different taste preferences shown, it pays to appeal more to men or women if they make up a larger percentage of your ideal buyers. Related: 5 Ways Store Colors Can Influence Shoppers. Color Coordination + Conversions. Debunking the "best" color for conversion rates on websites has recently been a very popular topic (started here and later here). They make some excellent points, because it is definitely true that there is no single best color for conversions. The psychological principle known as the Isolation Effect states that an item that "stands out like a sore thumb" is more likely to be remembered. Research clearly shows that participants are able to recognize and recall an item far better (be it text or an image) when it blatantly sticks out from its surroundings.(The sign- up button stands out because it's like a red "island" in a sea of blue.)The studies Aesthetic Response to Color Combinations and Consumer Preferences for Color Combinations also find that while a large majority of consumers prefer color patterns with similar hues, they favor palettes with a highly contrasting accent color. In terms of color coordination (as highlighted in this KISSmetrics graphic), this would mean creating a visual structure consisting of base analogous colors and contrasting them with accent complementary colors (or you can use tertiary colors): Image credit: KISSmetrics. Another way to think of this is to utilize background, base and accent colors to create a hierarchy (as Josh from Studio. Press showcases below) on your site that "coaches" customers on which color means take action: Image credit: Studio. Press. Why this matters: Although you may start to feel like an interior decorator after reading this section, this stuff is actually incredibly important in helping you understand the why behind conversion jumps and slumps. As a bonus, it will help keep you from drinking the conversion rate optimization Kool- Aid that misleads so many people. Consider, for instance, this often- cited example of a boost in conversions due to a change in button color: The button change to red boosted conversions by 2. Take a closer look at the image: It's obvious that the rest of the page is geared toward a green palette, which means a green call to action simply blends in with the surroundings. Red, meanwhile, provides a stark visual contrast (and is a complementary color to green). Related: What Does the Color of Your Logo Say About Your Business? Infographic)We find additional evidence of the isolation effect in a myriad of multivariate tests, including this one conducted by Paras Chopra and published in Smashing magazine. Chopra was testing to see how he could get more downloads for his PDFProducer program, and included the following variations in his test: Can you guess which combination performed the best? Recover Deleted Outlook Files | Restore Deleted Outlook Files. 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Old Matthew Paris writes: 'The case of historical writers is hard; for if they tell the truth they provoke men, and if they write what is false, they offend God.' Of all histories this dictum is perhaps most true of. Big Break Contest. To clear the title page: Go to Document > Title Page; Select all the text with Apple (Command) + A on Mac and Control + A on Windows. The Great Zoo of China is a 2014 novel by Australian author Matthew Reilly. It was published in November 2014. Welcome to the e-Book Cover Design Awards. This edition is for submissions during January, 2016.This month we received:157 covers in the Fiction category27 covers in the Nonfiction categoryComm. Books are created from printed editions. Australia, unless a copyright notice. We do NOT keep any e. Books in compliance with a particular. Copyright laws are changing all over the world. Be sure to check the. This e. Book is made available at no cost and with almost no restrictions. You may copy it, give it away or re- use it under the terms. Project Gutenberg of Australia License which may be viewed online at. GO TO Project Gutenberg of Australia HOME PAGEA HISTORY OF IRELAND AND HER PEOPLEby. Eleanor Hull(1. 93. CONTENTSVOLUME 1—To the Close of the Tudor Period. Preface. I. Pre- Christian Ireland. II. Early Christian Ireland. Electronic library of Books, Latest ebook Releases, Download eBooks absolutely for Free! Get updates about Matthew Reilly and recommended reads from Simon & Schuster. Plus, get a FREE eBook when you sign up! III. The Northmen. IV. Clontarf and After. V. The Normans in Ireland. VI. The O'Conors of Connacht and the O'Briens of Thomond. VII. The Invasion of Edward Bruce and the Gaelic Revival. VIII. The Statute of Kilkenny. IX. The Geraldines: The House of Desmond and the House of Kildare. X. The New Policy of Henry VIII. XI. The Change in Religion. XII. Sir Henry Sidney. XIII. Shane O'Neill and the Scots in Ulster. XIV. The First Plantations. XV. The Desmond Rebellion. XVI. Hugh O'Neill, Earl of Tyrone. XVII. Essex in Ireland and the Ulster Campaign. XVIII. The Munster Planters. XIX. Fineen (Florence) Mac. Carthy Reagh. XX. The Battle of Kinsale. XXI. The Flight of the Earls and the End of Mediaeval Ireland. APPENDICES. I. Pope Adrian's Bull "Laudabiliter" and Note upon It. II. Letter from Cathal Crovdearg O'Conor, King of Connacht, to Henry III. III. Extract from a Letter written by Richard II to his Uncle, the Duke of York. Arrival in Dublin, February 1, 1. IV. Intelligence Message for Henry IV on the State of Ireland in 1. V. List of Books belonging to the Library of Gerald, Ninth Earl of Kildare, 1. VI. Letter of Conn O'Neill during his Imprisonment in Dublin Castle, 1. VII. Letter of Shane O'Neill to the Earl of Sussex, Viceroy of Ireland, 1. VIII. Historical Work done by Sir George Carew relating to Ireland. VOLUME 2—From the Stuart Period to Modern Times. I. James I and Ireland. II. The Plantation of Ulster. III. Wentworth in Ireland. IV. The Rebellion of 1. V. The Confederate Wars in Ireland. VI. The Ormonde Peace. VII. Cromwell in Ireland. VIII. The Restoration. IX. James II in Ireland. X. James II's Irish Campaign. XI. After Limerick. XII. Commercial Disabilities. XIII. The Struggle for Legislative Independence. XIV. Grattan's Parliament. XV. Revolution and Rebellion. XVII. O'Connell and Emancipation. XVIII. The Famine. XIX. Young Ireland and the Fenians. XX. Remedial Legislation. XXI. Parnell and the Land League. XXII. John Redmond and Home Rule. XXIII. Sinn Fein and the Rising of Easter Week, 1. XXIV. War and Conciliation. XXV. The Treaty. Epilogue. APPENDICES. I. Phelim O'Neill's Commission from King Charles I. II. Oration of P. H. Pearse over the grave of O'Donovan Rossa. III. Proclamation of the Irish Republic, April 2. IV. Commission given by Eamon de Valera to the Envoys to the British Government. October 7, 1. 92. V. The Three Oaths. VI. Articles of Agreement on the Boundary Question. VII. Speech of Arthur Griffith in Dail Eireann on December 1. The Treaty. VIII. Poem 'Renunciation' by P. H. Pearse. IX. 'Moral Force' by Terence Mac. Swiney. A HISTORY OF IRELAND AND HER PEOPLEVOLUME IPREFACEOld Matthew Paris writes: "The case of historical writers is hard; for if. God." Of all histories this dictum is perhaps most true of Irish. The most urgent of these political issues. England toward Ireland. Ireland; but the conditions of the. It is taken. almost for granted by patriotic writers that native Ireland was enjoying a. Golden Age from which she was rudely awakened by the irruption of the English. There is no more exacting problem than that of the. Lecky truly says, "Irish history possesses an interest of the highest. In very few histories can we trace so clearly the effects of political. The problem was much. Ireland itself. account for much; and it is perhaps because the theory of a Golden Age breaks. Irish writers anxious to. Ireland had no. control. In the new situation, now that Ireland has once more regained freedom. The professed desire of many of the younger school of. Irishmen is for a return to the conditions, the methods, and the laws of the. A clear understanding as to where this. Ireland as well as the many and varied attempts of England to. The early intentions of the ruling power to act justly toward. Ireland broke down in a despair that led to the most ruthless methods of. The fault was partly English, partly Irish, but still more. English Crown and the. Irish people. How Ireland would have developed had the Normans never set foot. Ireland is a question as impossible to answer as a similar question. England. The coming of the Normans was as inevitable in the one case. Western Europe; and the result of their conquests was in. Historical and Political Essays. I have endeavoured in the following history to interpose as little as was. The. result has been in numberless cases a surprise to myself; so different is the. Irish history is a series of contradictions; its unexpectedness creates. In these circumstances it has seemed best, so far as space permitted, to. By this means some portion of that fresh flavour which we taste in old. Montaigne charges against "the middle sort of historians" that. The writers of the day were. Tudor period, when Irish. We. might like them better if they had not talked so much; but at least we have. To know the. history of any period we must know the men who made that history; the personal. History never repeats itself, for the men who made it yesterday are. But it is upon the men that. I have to acknowledge with gratitude the kindness of the following noblemen. His Grace the Duke of Devonshire, for a. Earl of Cork, called the 'Great' Earl of Cork, now at. Hardwick Hall, formerly at Lismore, attributed to Paul van Somers; the Right. Hon. Lord Sackville, for the portrait of Katherine Fitz. Gerald, the "Old. Countess of Desmond," at Knole; the Right Hon. Lord de l'Isle and Dudley, for. Sir Henry Sidney, at Penshurst Place; Lady Nesta Fitz. Gerald. for the portrait of Garrett Oge, ninth Earl of Kildare, at Carton, Maynooth. Hon. Francis Agar- Robartes, for the portrait of Sir Walter Raleigh, at. Wimpole; Mr Francis Joseph Bigger, for the portrait of Shane O'Neill, at Castle. Shane, Ardglass; and the Rev. F. H. Hodgson, for the portrait of Sir George. Carew, first Earl of Totnes, at Clopton House, Stratford- on- Avon. I have been. unable to discover the owners of the two interesting portraits of Hugh O'Neill. Earl of Tyrone, which were exhibited in the Loan Collection of. Portraits, London, in 1. Though known as a portrait of Hugh O'Neill, the. Haec est Christophori simulaia canalis imago. To Mr Newport B. White I am indebted for kindly translating King Cathal. Crovdearg" O'Conor's letter in the Appendices, and to my brother, Mr C. M. Hull, for help in proof- reading and indexing. ELEANOR HULLI.—PRE- CHRISTIAN IRELANDWhen Agricola in the fifth year of his British campaign (A. D. 8. 2) "manned. British coast which faces Hibernia, with a forward. Ireland, for good or ill, hung in the balance. Wherever the Roman arms made themselves felt, wherever by conquest or. Imperial law, religion, ideas, extended themselves, there followed. Ireland for many hundreds of years. Roman rule in Britain and Gaul. In spite of the Roman general's belief that "with one legion and a fair. Hibernia could be overpowered and held," he never set. Agricola's day no important. Ireland. Set apart. Europe after the fall of Rome, Ireland was left undisturbed to work out her own. In Gaul and Britain, with the dying out of the native tongue and the. Latin, the native records, oral or written, were. Tacitus, Agricola, xxiv. In Ireland, on the other hand, thanks to its exemption from Roman dominion. Most of them have come down to us in the. Ireland at a time before history proper. They supply the most complete record of a civilization. Christian period preserved by any European nation north of the. Alps. They claim to represent the life of the first century of the Christian. Some of the ornaments described in the tales, for. European influences as Ireland. Such are the beautiful brooches of the La. Tène period and especially the leaf- shaped fibulae found in Ireland. Cuchulain. tales; in Britain and Gaul, where they were also worn, they fell into disuse. Though not nearly so common as the. Tara. brooch is the best- known example, six specimens of the fibula have been found. Emain Macha or Navan Rath, the centre of the. Cuchulain tales in which these descriptions occur. It is evident that the bards. The earliest tales of Ireland are partly concerned with mythological. Tuatha De. Danann, and partly with the doings of a group of heroic men and women, of whom. Cuchulain is the central figure. The chief centre of the group was. Emain Macha in Ulster. In this district the outlines of forts, burial- places. The same may be said of the. Rath Cruachan, now Croghan, in Connacht, which is the centre. Connacht traditions. In general the tales relate to an. Ulster and Connacht, which was then. Meave (Medhbh) as formidable as the British. Boadicea (Boudicca). She is said to have gathered to the contest. Four Great Fifths"or provinces into which Ireland was then divided and to. Ulster, primarily to regain possession of a famous bull, but. Connacht and the South over that of the. North. The incidents and fights into which the war resolved itself, in which. Ulster, Cuchulain. The Táin bó Cualnge is the. Ireland. There has been much dispute as to how the early division into five provinces. According to an old tradition, the first partition was carried out in. 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